Thelonious Monk’s 25 Tips for Musicians (1960)

From Federal Burro of Information
Revision as of 14:40, 29 July 2019 by David (talk | contribs)
Jump to navigationJump to search

Just because you’re not a drummer, doesn’t mean that you don’t have to keep time.

​ Pat your foot and sing the melody in your head when you play.

​ Stop playing all that bullshit, those weird notes, play the melody! ​ Make the drummer sound good. ​ Discrimination is important. ​ You’ve got to dig it to dig it, you dig? ​ All reet! ​ Always know ​ It must be always night, otherwise they wouldn’t need the lights. ​ Let’s lift the band stand!! ​ I want to avoid the hecklers. ​ Don’t play the piano part, I am playing that. Don’t listen to me, I am supposed to be accompanying you! ​ The inside of the tune (the bridge) is the part that makes the outside sound good. ​ Don’t play everything (or everytime); let some things go by. Some music just imagined. ​ What you don’t play can be more important than what you do play. ​ A note can be small as a pin or as big as the world, it depends on your imagination. ​ Stay in shape! Sometimes a musician waits for a gig & when it comes, he’s out of shape & can’t make it. ​ When you are swinging, swing some more! ​ (What should we wear tonight?) Sharp as possible! ​ Always leave them wanting more. ​ Don’t sound anybody for a gig, just be on the scene. ​ Those pieces were written so as to have something to play & to get cats interested enough to come to rehearsal! ​ You’ve got it! If you don’t want to play, tell a joke or dance, but in any case, you got it! (to a drummer who didn’t want to solo). ​ Whatever you think can’t be done, somebody will come along & do it. A genius is the one most like himself. ​ They tried to get me to hate white people, but someone would always come along & spoil it.